Friday, March 20, 2015

Day 20 of 31 books in 31 days- Maria Snyder Book Giveaway & qualify to win a kindle

Welcome to the 20th day of 31 books in 31 days, where you win prizes for reading.

Recap of Rules

Everyday that you participate in the giveaway of the day, you are eligible to win a brand new kindle.

How to participate
  a) Subscribe via email, so you can get the author & prize of the day sent directly to your email.
  b) Like the author of the day on facebook
  c) Follow the author on Twitter
  d) Read any of the author's books
  e) Answer the occasional quiz on author's interview
  f) Scroll to the bottom of each interview and enter the raffle (you'll have to unlock the raffle with your email first)

That's it- then enter the kindle giveaway!

All giveaways will be sent out by the 7th day in April. Good Luck.

Today's featured author is Maria Snyder. She is the New York Times bestselling author of the Poison Study Trilogy, a gripping tale of a woman who is saved from the death penalty to be food taster of the king. She is the author of today's featured book, Touch of Power.

Featured Book
Laying hands upon the injured and dying, Avry of Kazan absorbs their wounds and diseases into herself. But rather than being honored for her skills, she is hunted. Healers like Avry are accused of spreading the plague that has decimated the Fifteen Realms, leaving the survivors in a state of chaos. Stressed and tired from hiding, Avry is abducted by a band of rogues who, shockingly, value her gift above the golden bounty offered for her capture. Their leader, an enigmatic captor-protector with powers of his own, is unequivocal in his demands: Avry must heal a plague-stricken prince—leader of a campaign against her people. As they traverse the daunting Nine Mountains, beset by mercenaries and magical dangers, Avry must decide who is worth healing and what is worth dying for. Because the price of peace may well be her life….


                                                 Interview with Maria Snyder


Hello Maria,

Thank you so much for participating in 31 books in 31 days. We are so happy to have you. I would first like to gush. I loved your poison study series. I found the first one in a bookstore in the airport. Read the whole book on a flight from California to New York. It was incredible. 

MVS:  Hello!  Thank you for inviting me on your blog.  I’m happy to hear you enjoyed my book.

Now that I’ve made myself sound like such a fangirl , let’s get to some questions.

MVS: Nothing wrong with being a fangirl – you should have seen me when I met Barbara Hambly, one of my favorite authors!

When you were a child, who was your favorite author? Why?

MVS: When I was little, I enjoyed books by Leo Lionni – Frederick was one of my favorites books since the main character was like me -- a daydreamer.  Then I really enjoyed reading Nancy Drew and Hardy Boys mysteries.  My mother read nothing but mystery novels and I copied her.  Plus I enjoyed the suspenseful element and trying to figure out “whodunit.”

What is your favorite part of reading?

MVS: I think my favorite part is getting to know new characters and getting lost in new worlds.  When I start a new book, I pause around page 30 and ask myself these questions, “Do I care about the main protagonist?  If he/she were to die on page 31, would I be upset?”  If the answer is NO, then I close the book and find another.  If I don’t care about the main protagonist then I’m not going to finish the book no matter how clever the plot or fascinating the world.

I read in another interview that you liked Dick Francis who was a mystery writer. Do you have any 
fantasy or young adult authors that you enjoy? If so, what made their books stand out for you?

MVS: I really enjoyed the Morganville Vampire series written by Rachel Caine.  The reason those books stood out is that the main protagonist, Claire is smart and she’s interested in science (which is rare in YA books).  There is no “insta” love in the books and her roommates are all interesting and engaging characters.  I also liked The Hunger Games, by Suzanne Collins.  Again because of the main character.

When you think of the main plot—kids killing kids for entertainment—that’s a horrific idea, yet the book

is more about Katniss and her sacrifice and doing what it takes to survive.  Unfortunately I didn’t enjoy

the next two books as much because the plot moved away from that and focused more on the

revolution.

What was the last book that had an impact on your life? What was significant about it?

MVS: The Book Thief, by Markus Zusak.  What an excellent book!  The writing, the characters, the

subject all so well done!  The significance to me was that it made me realize that the German people

were also victims of Hitler and his terrible politics.  I knew about the concentration camps, ghettos, and

other atrocities, but never thought of those people who were just trying to live their lives and do the

best they could in a horrible situation.  I also recommend I am the Messenger also by Markus Zusak, it’s

completely different than The Book Thief, but also excellent!

If you could jump into the pages of any book, which book would it be? 

MVS: I always wanted to be a dragonrider in one of Anne McCaffrey’s Dragonriders of Pern series.

Riding a dragon and having a mental connection/bond with one just appeals to me .

If you could be any fictitious character from any YA book who would you become?

MVS: I’d be Lessa from Dragonflight (the first Dragonrider book) – she bonds with the Queen of the

dragons.

Tell us a little about your latest novel.  What makes your book different from other books in its genre?

MVS:  My latest novel is Shadow Study and it’s the fourth book in my Study series of books.  I think one

of the reasons my books are unique is that I focus on the characters and the story plots naturally flows

from their choices and wishes.  I also like to end each chapter with a mini-cliffhanger so the books are

hard to put down at the end of a chapter.  I’ve had many readers email me in the middle of the night,

“yelling” at me for doing this and “making” them stay up all night to finish my book.  And I’m not sorry

about that at all!  Another thing is with fantasy some writers build these beautiful complex worlds with a

deep history and many creatures and cultures like Lord of the Rings.  While these fantasy books are

wonderful, they’re not my style.  I’ve told potential readers my books are more like fantasy lite – there’s

magic and a fictional world, but they’re not as dense as those others.

Thank you so much for participating!

MVS: Thanks again for hosting me!  If your readers would like more info about me and my books, I have

the first chapter of all my books on my website as well as a number of free short stories (including ones

with Yelena and Valek) they can read.  Here’s the link: http://www.mariavsnyder.com.  My Facebook

page is where I’m the most active with updates and news.  Here’s the link:

http://www.facebook.com/mvsfans



Other Books By Maria Snyder




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Thursday, March 19, 2015

Day 19 of 31 books in 31 days- Lauren Kate Giveaway & chance to win a kindle

Welcome to the 19th day of 31 books in 31 days, where you win prizes for reading.

Recap of Rules

Everyday that you participate in the giveaway of the day, you are eligible to win a brand new kindle.

How to participate
  a) Subscribe via email, so you can get the author & prize of the day sent directly to your email.
  b) Like the author of the day on facebook
  c) Follow the author on Twitter
  d) Read any of the author's books
  e) Answer the occasional quiz on author's interview
  f) Scroll to the bottom of each interview and enter the raffle (you'll have to unlock the raffle with your email first)

That's it- then enter the kindle giveaway!

All giveaways will be sent out by the 7th day in April. Good Luck.

Today's featured author is Lauren Kate, the New York Times Best Selling author of the Fallen series. She has recently released Waterfalls, the sequel to Teardrop-- our featured book of the day. Her Fallen book has over 500 four and five star reviews. Her teardrop series is an innovative departure from the norm, and definitely something to add to your to be reading pile.


Featured Book
Never, ever cry. . . . Eureka Boudreaux's mother drilled that rule into her daughter years ago. But now her mother is gone, and everywhere Eureka goes he is there: Ander, the tall, pale blond boy who seems to know things he shouldn't, who tells Eureka she is in grave danger, who comes closer to making her cry than anyone has before. But Ander doesn't know Eureka's darkest secret: ever since her mother drowned in a freak accident, Eureka wishes she were dead, too. She has little left that she cares about, just her oldest friend, Brooks, and a strange inheritance—a locket, a letter, a mysterious stone, and an ancient book no one understands. The book contains a haunting tale about a girl who got her heart broken and cried an entire continent into the sea. Eureka is about to discover that the ancient tale is more than a story, that Ander might be telling the truth . . . and that her life has far darker undercurrents than she ever imagined. From the Hardcover edition.

                                              Interview with Lauren
                                     


What role did reading play in your life as a youth? What role does it play in your life now?

I was and still am a voracious reader, constantly losing myself in other people's stories. Reading taught me the basics of what worked in stories in terms of narrative progression, how to make dialogue unique and specific, and how to trust my characters.

 Who is your favorite young adult author? Why does his or her writing resonate with you?

I have a long-lasting love for the work of Roald Dahl. His books are timeless and appeal to the very core of my imagination and sense of humor.

What is the last book you read that had an impact on your life? What made it different? 

 All the Light We Cannot See. It was brave and beautiful.

What makes a story memorable to you? What makes a character feel real?

I find my favorite stories have humor, heart, and an unexpected journey. Real people grow, and that growth is what tends to be the most interesting thing in a story. I ask myself what each one of my characters wants, and what stands in the way of them getting whatever it is. Desires and ambitions shift constantly, so to keep characters fresh, I’ve had to learn not to be afraid of these shifts. I’m always catching up to my characters, letting them determine which road to take.

 Why do you write YA?

 I like inhabiting seventeen-year-old protagonists because of the liminal nature of their voices. Teenagers are on-the-brink: hurtling out of adolescence, approaching—but not quite at—maturity. The space between the world of the child and the world of the adult is dramatic, chaotic, and violent. Liminal characters take risks. They make mistakes. They are destined for fabulous highs and lows. These are the kind of characters I want to spend time with—both when I’m reading and when I’m writing.

 Tell us about your series Teardrop. What makes it different from other YA books?

Eureka's story is wild and uncontrollable. I tried to tackle the idea that sometimes in love we become our own greatest enemy. The blurred lines between Eureka as the protagonist and villain made this a challenging and exciting book for me.

What advice would you give to aspiring authors?

 Read. Never push ideas away. Give them space and time to grow up into stories. Live curiously, ask questions, understand that writers can find even boredom fascinating. Hold onto your mystery. Make writing friends. Keep the good ones. Finish your stories. Finish your stories. Finish your stories. All my love, Lauren





 Other Books by Lauren Kate

 


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Wednesday, March 18, 2015

Day 18 of 31 books in 31 days- Dale Basye book giveaway & a chance to win a kindle

Welcome to the 18th day of 31 books in 31 days, where you win prizes for reading.

Recap of Rules

Everyday that you participate in the giveaway of the day, you are eligible to win a brand new kindle.
How to participate
  a) Subscribe via email, so you can get the author & prize of the day sent directly to your email.
  b) Like the author of the day on facebook
  c) Follow the author on Twitter
  d) Read any of the author's books
  e) Answer the occasional quiz on author's interview
  f) Scroll to the bottom of each interview and enter the raffle (you'll have to unlock the raffle with your email first)

That's it- then enter the kindle giveaway!

All giveaways will be sent out by the 7th day in April. Good Luck.

Today's author of the day is Dale Basye. He is the author of the widely popular Circle of Heck Series, a series about where bad kids go after death. People of all ages will love this comedy-filled series. If you haven't read this book as yet, you are truly missing out.


Featured Book
When Milton and Marlo Fauster die in a marshmallow-bear explosion, they get sent straight to Heck, an otherworldly reform school. Milton can understand why his kleptomaniac sister is here, but Milton is—or was—a model citizen. Has a mistake been made? Not according to Bea “Elsa” Bubb, the Principal of Darkness. She doesn’t make mistakes. She personally sees to it that Heck—whether it be home ec class with Lizzie Borden, ethics with Richard Nixon, or gym with Blackbeard the pirate—is especially, well, heckish for the Fausters. Will Milton and Marlo find a way to escape? Or are they stuck here for all eternity, or until they turn eighteen, whichever comes first?





                                             Interview with Dale Basye



1) What is your favorite part of the reading experience? 

Hmm…I suppose my favorite part of the reading experience is when light hits the page and those light waves bounce toward my eyes, where my optic nerve harvests the waves and translates them into electrical signals. Then those electrical signals are sent to the Broca’s and Wernicke’s areas of the brain, where the brain interprets written words. Certain words—such as “chocolate,” “cinnamon” and “rose”— may elicit a response not only from the language-processing areas of my brain, but also those devoted to dealing with smells. Metaphors regarding texture may stimulate my sensory cortex, where as those evoking motion may stimulate my motor cortex. There is substantial overlap in the brain networks I use to understand stories and the networks I use to navigate interactions with other individuals, which is why my connection to reality is so tenuous. So yeah, I guess that’s my favorite part of the reading experience.

2) What Young Adult or Middle Grade book have you read recently? What did you enjoy about it?  

To be honest, I haven’t read any great YA or MG in a while. I’ve mostly been into Non-Fiction. I just got Rainbow Rowell’s Landline from the library and, though I’m only a few chapters into it, liking it. But this isn’t one of her YA novels. I have Eleanor & Park but I haven’t cracked it open yet. I’m not sure what my resistance is lately. Perhaps it’s because I either think a book is lame or so good it makes me jealous.

 I’ve read a few YA books recently that I won’t name because the authors are good people, but even though these books are lauded I just don’t get it. But I freely admit that this probably has more to do with me than with the books themselves. I did really like David Levithan’s Every Day though it did make me jealous. And John Green I think is fabulous though I made the mistake of reading four of his books in a row and OD’d a bit on his style.

 Lately I’ve been reading comedian biographies, like Martin Short’s and Amy Poehler’s. One book I’m really looking forward to is the new one by Kelly Link. I love her style. Even if one of her stories doesn’t exactly “work” it at least takes me someplace I’ve never been before, and 99% of the books I see, especially in YA/MG are the exact same freakin’ story.

3) What is the last book that you read that impacted you? How did it affect you and has any of that carried into your writing?

Cooking books often affect me quite profoundly, especially if I’m making chili and use cheap meat. A book that I just finished that still has me basking in its glow is Creativity Inc. by Pixar co-founder Ed Catmull. It’s a great examination of the practicalities of managing creativity. There are a lot of lessons of how they manage the creative process that can be absorbed on the personal level. Where I am right now (not in my paper mache dungeon, but mentally/emotionally), I can really use that.

Lately, I feel like I should make flyers and poster them to telephone poles, reading: “Missing Mojo. Reward Offered If Found” and, if someone does indeed return my mojo, then I will have them arrested because they obviously were the criminals responsible. But that’s just me: I have a tendency to blame other people for my shortcomings. I get that from my mom. It’s her fault.

Anyway, I need to find my creative spark again. I am currently developing a couple of TV show ideas, so that’s fun, but otherwise it has been doing my work writing which, while satisfying on a “buying food/maintaining shelter” level, doesn’t get my creative juices flowing necessarily. So this is a long-winded way of saying that I look forward to adopting some of the learnings I gleaned from Creativity Inc.!

4) If you could be any fictional main character from a Young Adult or Middle Grade book, who would it be 

and why?

That’s a stumper. Ooh…maybe Stumper from the Maimed Bambi series! Hmm…I suppose I should pick Nancy Drew

or somebody who has been in a zillion books, thus being somewhat immortal. Or Laura Ingalls from Little House on

the Prairie, only without all of the hardship, toil and blind-sisterness. Or Pippi Longstocking…I mean, great hair!

But, for today at least, I think it would be great fun to be Willy Wonka. I mean, think about it: unlimited access to

chocolate. A skilled and cheap workforce. Cool inventions. Snappy wardrobe. Free reign to torment children and

their parents. What more could anyone want? I’d also like to be a character in a Kurt Vonnegut book because then

I could reverse-engineer how Vonnegut was such a wonderful writer.

5) I have read your interviews, you’re always so humorous. Have you always had such a contagious sense of 

humor? Do you have an author who inspired you with his or her humor?  

I try to wash my hands in hot water after telling a joke, but I still can’t guarantee that the humor won’t be

contagious, so for that I apologize. Maybe someday there will be a cure, though laughter is often considered the

best medicine, so that’s a bit of a Catch-22 (speaking of HILARIOUS books). As far as humor writers, they all seem

to try too hard. I love the authors like Tom Robbins or Kurt Vonnegut that are funny, but also weird and sad in the

same mix. The force that really shaped me humorously was Monty Python. I remember watching the show for the

first time in fourth grade. It was on at 11 at night and I had a tiny black-and-white TV in my room, and I just sort of

stumbled upon it and was hooked. I understood very little of it at first, but it was like a gateway into some surreal,

forbidden alternate universe (England, basically). That show has always made me laugh the loudest of any show

ever. Other Brit-coms like The Mighty Boosh, The Young Ones, Fawlty Towers, Black Adder, and Absolutely

Fabulous are other shows that tickle the ‘ol funny bone. I also recall reading Steve Martin’s Cruel Shoes as a kid

and being smitten. It had that same absurdist, dark-spirited humor that gets me every time.

6) Why do you write MG books? What interests you about the genre?

Kids are like adults only they don't have to shave quite as much. But they want a book to facilitate escape—just like us— a portal to another world where they can lose themselves. Kids want something much more plot-driven, though. The story has to move. They love the humor of Heck, but I was surprised at how some kids, especially the spooky kids, really connected with the characters and the adventure-aspects of the story. They take the ridiculousness almost as seriously as I do. My readers also appreciate that I don't talk/write down to them: that I use words they have to occasionally look up (heck, so do I sometimes) and that I can introduce them to dead historical figures that they more than likely would never have encountered, at least not at this age, such as Richard

Nixon and Lizzie Borden.

So I basically write MG books because I write MG books. I guess it’s simply because those are the stories I’ve come

up with. It’s interesting when people ask me why I choose to write for children, and I have to say, I really don’t. I

happen to be an arrested individual (no convictions, other than to be the best I can be), so I simply write for

myself. I may tone down the off-color nature or innuendo-rich witticisms that often spring up naturally, but other

than that, I write to amuse or engage me and don’t think too much about the reader. That may sound terrible, but

I mean it in a good way: I don’t pander or assume I know what’s in the head of that wonderful young person on the

other side of the page. I just naively hope that they enjoy the ride as much as I (and no, we’re not there yet…don’t

make me pull this interview over!).

Whenever I write the Heck books, I always tend to write them as if they were for teens, then-in the editing

process-they get softened somewhat so that they are appropriate for especially precocious 9-12 year-olds. Though

this age group still seems a bit young to me, considering the language and the themes I use. But the publishing

world is very regimented in this way, as it is all about shelf space. My very, very first draft of Heck had Marlo, um,

becoming a woman in Heck. That was probably the very first thing I changed.

I definitely think both children and adults can enjoy my books, as long as those children and adults have a good

sense of humor (which is something that everyone thinks they have but not everyone really does). I'm not talented

enough to go "Oh, today I'll write for a nine year-old Canadian boy"…unless, of course, a nine year-old Canadian

boy were to commission me for a school report. I write for me. And, to keep things interesting, I throw in a lot of

stuff that not only many kids won't get, but that a lot of adults won't get either. Not because they aren't clever

enough, but because sometimes I'm just obstinately obscure. It helps me when creating a story, grabbing a lot of

arcane bits here and there so it seems real to me. Ideally, kids will be able to read my books and get one

experience, while adults will be able to read them and get another. Though there are a lot of references in my

books, I try hard to prevent them from becoming obstacles to the story. My editor is really good at pointing that

stuff out to me!

7) What is the main premise of your series Heck Where the Bad Kids Go?  What makes the series different from other middle grade books and what inspired you to write it?

The main premise is about how arbitrary our species’ sense of right and wrong can be, and how that in many feeds our vision of an afterlife. It’s also, basically, about how much I hated middle school. It’s an awful time of in-betweenness that feels like an eternity.

After working in journalism and advertising for so long, I desperately wanted to just make something up (though I did that a lot with my advertising campaigns!). I just really wanted to write something fantastical and ridiculous. So I initially came up with Heck after ruminating on Satan and the underworld: just wondering, as so many of us do, where exactly do bad kids go? H-e-doublehockeysticks just seemed way too harsh. But a place that was really indistinguishable from my middle school experience? Yeah: that's it! So with that concept in mind, I got writing.

Luckily, the Dante-esue architecture of my all-ages underworld helps me in terms of coming up with stuff. I basically take whatever belief system I can get my hands on and smash it up (ooh-ooh-woo-ooh), then assemble a collage of sorts to create this fantasy world: like a ransom note cut of every possible notion of the afterlife. That way no one can get offended (well, I've found that most anyone can be offended if they really want to be) because I'm making fun of everything, which is kind of like making fun of nothing, parody-wise. And, in terms of G.O.D., if there truly is a master plan, it would have to be vaguely Swiss in its precision, in the sense of a clockwork bureaucracy. Plus my idea of Hell would have to be some dismal, ironically soulless institution: like Dante's Department of Motor Vehicles.

 Each book deals with a certain kid-specific "sin," which helps me in terms of picking which dead historical characters to use, as well as any sin-specific sub-plots or just anything that is ripe with irony. Through it all,however, are the two protagonists: Milton and Marlo Fauster. Each book has Milton stepping up to the terrible circumstances fate has dealt him and gaining more confidence. He stops reacting to the situations and starts acting. Marlo learns, first hand, how power can corrupt, and how getting what you think you want is often the worst thing one can get. Heck acted as an introduction to the world I'm creating, whereas Rapacia is really the first book that puts the overall series arc in motion. Fibble concluded, kind of, certain story threads, while Snivel began
new ones. It's like a lush tapestry that the cat just barfed on. Excuse me…

…okay, I’m back. Damn cat. Which is weird, because I don’t have a cat. Anyway, I’m not sure how different Heck is from what’s going on in Middle Grade, though it seems to go a bit farther without going too far. It’s really more of a YA series, I think, though the characters are younger. I’m hoping one aspect that makes the series different is how many layers it has. I really am quite mentally ill (in a good way), and hopefully it shows in my writing!

Other books by Dale Basye

        

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Tuesday, March 17, 2015

Day 17 of 31 books in 31 days- Swati Avasthi book giveaway & qualify to win a kindle



Welcome to the 17h day of 31 books in 31 days, where you win prizes for reading.

Recap of Rules

Everyday that you participate in the giveaway of the day, you are eligible to win a brand new kindle.

How to participate
  a) Subscribe via email, so you can get the author & prize of the day sent directly to your email.
  b) Like the author of the day on facebook
  c) Follow the author on Twitter
  d) Read any of the author's books
  e) Answer the occasional quiz on author's interview
  f) Scroll to the bottom of each interview and enter the raffle (you'll have to unlock the raffle with your email first)

That's it- then enter the kindle giveaway!

All giveaways will be sent out by the 7th day in April. Good Luck.

Today's author of the day is Swati Avasthi. Swati is an award winning novelist that brings light to abuse and its effect on the abuser. Her interesting take on violence experienced as a kid, sheds light on how the abused can become the abuser. Her release Split, is our featured novel of the day.

Featured Book

 A riveting portrait of life after abuse from an award-winning novelist. Sixteen-Year-Old Jace Witherspoon arrives at the doorstep of his estranged brother Christian with a re-landscaped face (courtesy of his father’s fist), $3.84, and a secret. He tries to move on, going for new friends, a new school, and a new job, but all his changes can’t make him forget what he left behind—his mother, who is still trapped with his dad, and his ex-girlfriend, who is keeping his secret. At least so far. Worst of all, Jace realizes that if he really wants to move forward, he may first have to do what scares him most: He may have to go back.


                                                     Interview with Swati

                                               
 1) What is your favorite part of the reading experience?

 It's hard to choose, but living vicariously through another person's perspective in their world and time is probably what I love the most.


 2) What types of books do you read on your spare time?

 I read a lot of different kinds of books: YA, graphic novels, adult literary fiction, nonfiction, memoir, craft books, just started reading Manga. I believe that there are two characteristics of all the writers I've known: 1) endless determination and 2) endless curiosity. That means I'll pretty much read anything with interest.

 3) What is the last book that you read that impacted you? How did it affect you and has any of that carried into your writing?

 I loved E. Lockhart's We Were Liars. I was particularly taken by the way Cadance slipped between reality and metaphor and I've found that that seems really appropriate for my character for my next book. It seems like something I'm really interested in as a writer. My second novel, CHASING SHADOWS, had a lot to do with slipping between reality and fantasy and in my third, my current work in progress, I find myself being more deliberate about the timing of my metaphors.

 4) I read an interview recently where you eluded to the role of culture in literature. You mentioned book that didn’t resonate with you, because of the presentation of the hero and how his advent strengthened cultural paradigms that you disagreed with. Can you tell us about a book that got it right? How do you use culture in your books to strengthen your narration, if at all?

 It is always dangerous for an author to criticize a book and I don't know what the context was, but yes, certain books resonate more with my philosophical view than others. Which only means that, like all other readers, there are books out there that aren't for me. I suspect that you are referring to notions of how women or races are treated in narratives because that is often a sticking point for me as a reader. So books here are some of the YA novels I've read in the last couple of years that resonate with me: Bad Apple by Laura Ruby, Code Name Verity by Elizabeth Wein, Yaqui Delgado Wants to Kick your Ass by Meg Medina, This One Summer by Mariko and Jillian Tamaki, Blankets by Craig Thompson, and Boxers & Saints by Gene Yang,

 I'm not sure I use culture in my books, but I do think that all writers create culture through their books. We have the honor and responsibility to share our views with our readers. I don't necessarily mean to write books that are feminist, but I am a feminist and so my world view comes through in my writing. SPLIT, for instance, might not seem like a book that is about feminism or race and in many ways it isn't, but if you read it carefully, you might see evidence of both of those philosophies through how the story is framed. For instance, I chose to write about a boy in domestic violence. A male narrative that isn't told as much which is a shame. and because boys in DV situations are usually at least half the picture of domestic violence. Often they are victims and that story isn't told frequently. If you want to think about DV seriously, you need to think about how men learn and unlearn violence, whether they are perpetrators or victims or both.

 I also set the problem of domestic violence in a white, upper class family because again, the media often treats domestic violence as though it doesn't happen in white, upper class families, but it does. So I think my views on culture affect the way I conceive of and create stories, but not in how the stories are plotted out. I mean to say, my stories are not about lessons or After School Specials, but about characters and their questions. I don't offer answers or didactic take aways.

 5) Why do you write YA books? What interests you about the genre?

 I always find this question interesting because it seems to me that people who write for adults aren't ever asked "Why do you write adult literary fiction?" as though that is the norm and if you write for kids you are somehow either being noble or immature. The questions reveals a sort of schism we have in our culture.

We love our kids and will do anything for them but we also don't respect our kids. We believe that what we expose our children to will determine, in part, who they will become, but we also believe we don't expose them to the best that literature has to offer. In fact, I think we do. If you read Where the Wild Things Are by Sendak you might notice how deep a reading you can get from it. You can read it for the simple story of how a kid feels through a tantrum. Or you can read it a lesson for a parent: what you give to your children is what they will give to the world. (Notice that lesson is for the adult, not for the child). Or you can read it as a commentary on colonialism (white men have the right to conquer barbarian wild things), gender studies (boys will be boys), or employ a Freudian reading (the id plays, the superego objects, and eventually the ego moderates). It seems to me that good literature is as much about what the reader can bring to it as the levels the writer has offered.

 I write YA because the protagonists are making themselves and that interests me. How we make and remake our identities is endlessly fascinating and feels like an important journey to me.

 6) What was the last book you read that really made you think or made an impact on your life? How did it affect you and why?

 I'm not sure which was the last one, but I'd say Salman Rushdie's Midnight's Children affects me. It gives a particular and conflicted voice to partition (the division in 1947 between India and Pakistan) that I find really compelling. It is about the creation and dissolution of the identity of countries and about how when divide ourselves into compartments, we lose something. It felt like a powerful statement to me about how complicated it is to bring our whole selves to any situation.


 7) What is the premise behind Split? What makes it different from other books out there?

 SPLIT is about a 16 year old boy, Jace Witherspoon, who gets kicked out of his on the night he dares to hit his father back. He drives off to see his brother, Christian, who he hasn't seen or talked to in 5 years, and shows up on Christian's door step with a few bucks, a face full of bruises, and a secret. It is different in that it about a boy, or really two boys, who are recovering from abuse, the different paths that take, and how complicated it is to form a family.I think it distinguishes itself because its what happens after you get out, the long road to recovery, and how masculinity get defined and redefined as Jace learns what it means to be a man.



  Other Books by Swati Avasthi


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Monday, March 16, 2015

Day 16 of 31 books in 31 days - Ellen Hopkins & a chance to win a kindle

Welcome to the 16th day of 31 books in 31 days, where you win prizes for reading.

Recap of Rules

Everyday that you participate in the giveaway of the day, you are eligible to win a brand new kindle.

How to participate
  a) Subscribe via email, so you can get the author & prize of the day sent directly to your email.
  b) Like the author of the day on facebook
  c) Follow the author on Twitter
  d) Read any of the author's books
  e) Answer the occasional quiz on author's interview
  f) Scroll to the bottom of each interview and enter the raffle (you'll have to unlock the raffle with your email first)

That's it- then enter the kindle giveaway!

All giveaways will be sent out by the 7th day in April. Good Luck.

Today's author of the day is New York Time's best selling Ellen Hopkins. She has written a number of YA bestsellers which touch on topics ranging from suicide to drug abuse. Her books are written in free verse, and if you haven't already read her books your missing out.


Featured Book
Ellen Hopkins's semi-autobiographical verse novel, Crank, reads like a Go Ask Alice for the 21st century. In it, she chronicles the turbulent and often disturbing relationship between Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank. Soon, her grades plummet, her relationships with family and friends deteriorate, and she needs more and more of the monster just to get through the day. Kristina hits her lowest point when she is raped by one of her drug dealers and becomes pregnant as a result. Her decision to keep the baby slows her drug use, but doesn't stop it, and the author leaves the reader with the distinct impression that Kristina/Bree may never be free from her addiction. In the author's note, Hopkins warns "nothing in this story is impossible," but when Kristina's controlled, high-powered mother allows her teenage daughter to visit her biological father (a nearly homeless known drug user), the story feels unbelievable. Still, the descriptions of crystal meth use and its consequences are powerful, and will horrify and transfix older teenage readers, just as Alice did over 20 years ago. --Jennifer Hubert

                                           Interview with Ellen Hopkins


                                                   

Hello Ellen,


       Thank you so much for the interview.


  1. I have read that you gravitated to horror as a teen. Why horror and what made Dean Koontz one of your favorite authors?
Horror is an escape, and really, if you think about it, a safe escape. Fall into horror in a book, you know you’ll come out okay once you close the cover, whether or not the characters do. It’s tension. It’s a thrill. Dean Koontz and Stephen King write humanity within their horror, which is what still draws me to their work.


  1. What role does reading play in your life? How often do you get to read?
Once upon a time I read two or three books a week. I don’t have a lot of time to read for pleasure right now, between my own deadlines and some serious family issues I’ve been facing. I read on airplanes and in hotel rooms. I do miss it, though.


  1. As an adult, do you still read YA? What is the last young adult book that you read?
I do read YA, mostly because I have lots of friends writing it. The last YA I read was 100 SIDEWAYS MILES. And, yes, Andrew is a friend.


  1. What is the last book that had an impact on you?  How has that story impacted your life? Your writing?
David Levithan’s TWO BOYS KISSING. On the surface, it’s inspired by the two young men who set a world record for kissing without stopping. But it’s told from the POV of gay men who died from HIV, or without admitting to the world who they really were. It’s that outside POV that struck me--this idea that the things we do while we’re here on earth just might impact generations to come, and the true importance of that. We might not change the world while we’re here, but who knows what the ripples we cause might do? I hope my writing will continue to positively influence many generations to come.
  1. Your young adult novel is very personal to you. For our readers who don’t know, what is Crank about and why did you decide to publish something so personal?
Well, I actually have published eleven YA novels to date. Crank was my first, and it was inspired by my daughter’s story of meth addiction. I started the book for me, to gain some understanding of the choices she made, and what part I might have played in them. Through the writing process, it became clear that this was a story that touched many lives, not just my family’s. I chose to publish it to try and turn other young people away from that path, and to offer insight to those who faced losing someone they love to addiction.
6. If you can be one character from any young adult novel, who would you be and why?

Can I choose one of my own? I’d pick Cara, from PERFECT. I’m straight, and she’s not, but she is willing to accept the truth of herself and fight for love, despite pressure from her parents to be their idea of who she should be, and from a controlling ex-partner who refuses to let her go. She’s smart, athletic, and talented, but while she embraces those things, she doesn’t flaunt them. She’s honest and patient, but it’s her courage I admire most. 

7. What advice would you give to someone who is interested in becoming an author?

Be patient. Don’t take shortcuts. Grow your craft, honing it daily even after you’ve “made it.” If writing isn’t your heart, it won’t become a career. You have to love the process more than the dream of hitting it big, because few enough authors do. But if you’re creating stories people love, stories people MUST read, the rest will follow.

Other Books by Ellen Hopkins




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